vimsynth/modules/ccout

modules/utilities/CCOUT

CCOUT

Four CV lanes out as MIDI control change — the rack *modulating* a hardware synth, where MOUT plays it. Each input takes a CV in 0..1 and sends it as a 7-bit CC on a number you pick, so an LFO here opens a real filter the way it would open a VCF. Lanes send only when their value actually changes, and no more than rate times a second — a DIN cable cannot carry more.

The CCOUT card as vimsynth draws it: its title bar, 6 knobs, 4 inputs down the left edge and 0 outputs down the right
CCOUT on an empty rack — 32×20 cells, knobs at their defaults. Press a in the app and pick CCOUT to get this card.

inputs

Down the left edge of the card, top to bottom.

acv
0..1, sent as the CC number in cc a. Values outside 0..1 clamp — use an ATT to fit a bipolar LFO into range.
bcv
0..1, sent as the CC number in cc b.
ccv
0..1, sent as the CC number in cc c.
dcv
0..1, sent as the CC number in cc d.

knobs

Left to right across the face — the dials in the picture.

channel1 … 16= 1
Which MIDI channel to send on, 1–16.
cc a0 … 127= 1
The CC number lane a sends on. 1 is the mod wheel.
cc b0 … 127= 74
The CC number lane b sends on. 74 is brightness — filter cutoff on most synths.
cc c0 … 127= 71
The CC number lane c sends on. 71 is harmonic content — usually resonance.
cc d0 … 127= 7
The CC number lane d sends on. 7 is channel volume.
rate1 … 500 hz= 100 hz
Ceiling on messages per second, per lane. Raise it for smoother sweeps, lower it if a DIN port is struggling — four lanes at 100 Hz already use about a third of what a MIDI cable can carry.

more

The full reference — every parameter curve, the patching notes and the worked examples — lives in the manual: docs.vimsynth.com/modules/ccout. In the app itself, :help CCOUT opens the same page without leaving the rack.